HOW THEY ARE MADE

How light becomes a piece.

Each begins with a vintage shade. Udi builds a new body in steel, chrome, brass or raw stone for that shade alone.

No. 018, Wingspan, a table lamp with two opposing matte-black cones, a polished warm-toned central collar, angled support, and two block-like feet.

⁦No. 018⁩ · Wingspan · 1/1

Two dark cone shades face away from each other across a polished center and rest on two block-like feet.

Finding the shade

The shade comes first. Udi has collected them since he was fourteen: space-age forms and glass associated with the 1950s. A maker, date or origin appears only when it is documented.

Building the body

Each shade sets the terms. Udi builds one industrial body around it, for this piece alone.

No. 006, Axis, a sculptural floor lamp with a rough rectangular base, tall upright, long crossbar, glowing dark ribbed shade, and visible blue cable.

⁦No. 006⁩ · Axis · 1/1

A long arm crosses the upright. A dark ribbed shade glows at one end, with a blue cable running along the frame.

Showing the piece

The whole piece comes first. Details—the shade, base, cable and joint—follow. When a fact or view is not confirmed, it stays out.

No. 005, Karina, a table lamp with a glowing tiered pale shade, slender reflective stem, and low round base.Sold

⁦No. 005⁩ · Karina · 1/1

A tiered pale shade glows above a slim reflective stem and low round base.

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